HPMug2oMmNrOfxWQHLiEksa6s0hFu9Ox348d7QefarYlaFR5ArkhOwm3Da1pmxmxCtenj1+6luWD#r#n+EPn9L6Ce+9onqnMlT+i ›› 2020, Vol. 36 ›› Issue (4): 87-91.DOI: 10.3969/j.issn.1009-0479.2020.04.017
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ＱＩＡＯＹｉｘｕe
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Abstract: ＡｓｓｏｏｎａｓＴｈｅＳｔｏｒｙｏｆＰｉｐａｗａｓｐｕｂｌｉｓｈｅｄ，ｔｈｅｈｅｒｏｉｎｅＺｈａｏＷｕｎｉａｎｇｗａｓｗｉｄｅｌｙｄｉｓｓｅｍｉｎａｔｅｄａｓａｔｏｏｌｔｏｅｄｕｃａｔｅｗｏｍｅｎｉｎｔｈｅｍａｉｎｓｔｒｅａｍｃｕｌｔｕｒｅｏｆｆｅｕｄａｌｓｏｃｉｅｔｙ，ｗｉｔｈｔｈｅｉｍａｇｅｓｏｆ“ｖｉｒｔｕｏｕｓｗｉｆｅ”，“ｆｉｌｉａｌｗｏｍａｎ”ａｎｄ“ｃｈａｓｔｅｗｏｍａｎ”．ＢｅｈｉｎｄＺｈａｏＷｕｎｉａｎｇｓｐｅｒｓｏｎａｌｉｍａｇｅ，ｉｔｓｔｈｅｏｐｐｒｅｓｓｉｏｎａｎｄｅｎｓｌａｖｅｍｅｎｔｏｆｗｏｍｅｎｂｙｔｈｅｐａｔｒｉａｒｃｈａｌｓｏｃｉｅｔｙｕｎｄｅｒｔｈｅｃｏｎｔｒｏｌｏｆｆｅｕｄａｌｅｔｈｉｃｓａｎｄｍｏｒａｌｉｔｙ，ａｓｗｅｌｌａｓｔｈｅｃｏｌｌｅｃｔｉｖｅｐｓｙｃｈｏｌｏｇｉｃａｌｄｉｓｔｏｒｔｉｏｎｏｆｔｈｅｓｏｃｉｅｔｙｅｘｐｏｓｅｄｆｒｏｍ．ＳｉｍｏｎｅｄｅＢｅａｕｖｏｉｒｅｘｐｏｕｎｄｅｄｔｈｅｔｈｅｏｒｙｏｆｗｏｍｅｎｓｆｏｒｍａｔｉｏｎｉｎＴｈｅＳｅｃｏｎｄＳｅｘ．ＰｕｔｔｉｎｇｔｈｉｓｔｈｅｏｒｙｕｎｄｅｒｔｈｅｂａｃｋｇｒｏｕｎｄｏｆｔｈｅｐａｔｒｉａｒｃｈａｌｓｏｃｉｅｔｙｉｎａｎｃｉｅｎｔＣｈｉｎａ，ｗｅｗｉｌｌｆｉｎｄｔｈａｔｔｈｅｐｒｏｃｅｓｓｆｒｏｍＺｈａｏＷｕｎｉａｎｇｉｎＴｈｅＳｔｏｒｙｏｆＰｉｐａｔｏＺｈａｏＷｕｎｉａｎｇｗｉｔｈｓｏｃｉａｌｃｏｌｌｅｃｔｉｖｅｃｏｎｓｃｉｏｕｓｎｅｓｓｉｓａｐｒｏｃｅｓｓｆｒｏｍａｐｅｒｓｏｎｗｉｔｈｐｈｙｓｉｏｌｏｇｉｃａｌｓｉｇｎｉｆｉｃａｎｃｅｔｏａｃｕｌｔｕｒａｌｓｙｍｂｏｌｗｉｔｈｓｏｃｉａｌｓｉｇｎｉｆｉｃａｎｃｅ，ｔｈｅｃｕｌｔｕｒａｌｓｙｍｂｏｌｉｓｔｈｅ“ｐｅｒｆｅｃｔｗｏｍｅｎ”．ＺｈａｏＷｕｎｉａｎｇ，ａｓａ“ｐｅｒｆｅｃｔｗｏｍａｎ”，ｈｅｒｅｘｐｅｒｉｅｎｃｅｍａｋｅｓｕｓｒｅｆｌｅｃｔｄｅｅｐｌｙｏｎｔｈｅｉｓｓｕｅｏｆｇｅｎｄｅｒｅｑｕａｌｉｔｙｓｉｎｃｅａｎｃｉｅｎｔｔｉｍｅｓ．
Key words: ＴｈｅＳｔｏｒｙｏｆＰｉｐａ, ＺｈａｏＷｕｎｎｉａｎｇ, ｆｅｕｄａｌｅｔｈｉｃｓａｎｄｍｏｒａｌｉｔｙ, ｆｅｍｉｎｉｓｍ, ＴｈｅＳｅｃｏｎｄＳｅｘ
CLC Number:
Ｉ２０７.３７
ＱＩＡＯＹｉｘｕe. ＡｎＡｎａｌｙｓｉｓｏｆＺｈａｏＷｕｎｉａｎｇｉｎＴｈｅＳｔｏｒｙｏｆＰｉｐａｆｒｏｍ ｔｈｅＰｅｓｐｅｃｔｉｖｅｏｆＦｅｍｉｎｉｓｍ#br#[J]. HPMug2oMmNrOfxWQHLiEksa6s0hFu9Ox348d7QefarYlaFR5ArkhOwm3Da1pmxmxCtenj1+6luWD#r#n+EPn9L6Ce+9onqnMlT+i, 2020, 36(4): 87-91.
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URL: http://kmyzxb.magtech.com.cn/EN/10.3969/j.issn.1009-0479.2020.04.017
http://kmyzxb.magtech.com.cn/EN/Y2020/V36/I4/87
