ＣａｎｇｙｕａｎＲｏｃｋＰａｉｎｔｉｎｇｆｒｏｍ ｔｈｅＰｅｒｓｐｅｃｔｉｖｅｏｆＡｒｔＡｎｔｈｒｏｐｏｌｏｇｙ

doi:10.3969/j.issn.1009-0479.2018.06.019

Abstract

Abstract: Ｃａｎｇｙｕａｎｒｏｃｋｐａｉｎｔｉｎｇｓａｒｅａｖａｌｕａｂｌｅｒｅｓｏｕｒｃｅｆｏｒｔｈｅｓｔｕｄｙｏｆｅａｒｌｙｈｕｍａｎａｒｔａｎｄｔｈｅｏｒｉｇｉｎｏｆａｒｔ．Ｕｓｉｎｇｔｈｅａｒｔａｎｔｈｒｏｐｏｌｏｇｙｒｅｓｅａｒｃｈｍｅｔｈｏｄｔｏｒｅｖｅａｌｔｈｅｏｃｃｕｒｒｅｎｃｅｏｆｒｏｃｋｐａｉｎｔｉｎｇｉｎｐｒｉｍｉｔｉｖｅｒｅｌｉｇｉｏｎａｎｄｉｎｆｏｒｍａｔｉｏｎｓｐｒｅａｄｉｎｇｓｉｔｕａｔｉｏｎａｎｄｔｏｇｅｔｔｈｅｆａｃｔｔｈａｔｔｈｅｒｅｗａｓ“ＮｏＰｉｃｔｕｒｅ”ｃｏｎｃｅｐｔｉｎｒｏｃｋｐａｉｎｔｉｎｇｓｆｒｏｍｐａｉｎｔｅｒｓｔｈｏｕｇｈｔ．Ｐａｉｎｔｉｎｇｗａｓｃｏｎｓｉｄｅｒｅｄｔｈｅｐｒｏｃｅｓｓｏｆｃｒｅａｔｉｏｎｔｈｅｒｅａｌｏｂｊｅｃｔｓｗｈｉｃｈｉｓｔｏｓｈｏｗｔｈｅｖｉｅｗｐｏｉｎｔａｂｏｕｔｐｕｒｓｕｉｎｇｆｉｇｕｒｅｃｏｎｓｔａｎｃｙｉｎｐａｉｎｔｉｎｇ．Ｔｈｉｓｐａｐｅｒａｎａｌｙｚｅｓｔｈｅａｐｐｒｏａｃｈｏｆｓｈｏｗｉｎｇｔｈｅｓｐａｃｅｒｅｌａｔｉｏｎｉｎｒｏｃｋｐａｉｎｔｉｎｇｍａｄｅｂｙｔｈｅｐａｉｎｔｅｒｗｈｏｈａｓ“ＮｏＰｉｃｔｕｒｅ”ｃｏｎｃｅｐｔａｎｄａｌｓｏｉｎｔｅｒｐｒｅｔｓｒｏｃｋｐａｉｎｔｉｎｇｆｉｇｕｒｅｓａｒｅｄｉｆｆｅｒｅｎｔｉｎｓｉｚｅ．Ｃｏｍｂｉｎｉｎｇｔｈｅａｎａｌｙｓｉｓｒｏｃｋｐａｉｎｔｉｎｇｆｉｇｕｒｅｓｃｈａｒａｃｔｅｒｓｈａｐｅ，ｓｔｙｌｅａｎｄｃｏｌｏｒｔｏｐｒｏｖｅｔｈｅｆａｃｔｔｈａｔｔｈｅｄｅｖｅｌｏｐｍｅｎｔｏｆｒｏｃｋｐａｉｎｔｅｒｓｓｋｉｌｌｓａｆｆｅｃｔｅｄｐａｉｎｔｉｎｇｓｔｙｌｅｉｍｐｒｏｖｉｎｇａｎｄａｅｓｔｈｅｔｉｃｔａｓｔｅｆｏｒｍｉｎｇ．

Key words: ＣａｎｇｙｕａｎＲｏｃｋＰａｉｎｔｉｎｇ, ａｒｔａｎｔｈｒｏｐｏｌｏｇｙ, ｃｈａｒａｃｔｅｒｓｈａｐｅ, ｓｈａｐｅｃｏｎｓｔａｎｃｙ

CLC Number:

Ｊ２１８.６

ＷＡＮＧＹａｎｍｉｎ. ＣａｎｇｙｕａｎＲｏｃｋＰａｉｎｔｉｎｇｆｒｏｍｔｈｅＰｅｒｓｐｅｃｔｉｖｅｏｆＡｒｔＡｎｔｈｒｏｐｏｌｏｇｙ[J]. HPMug2oMmNrOfxWQHLiEksa6s0hFu9Ox348d7QefarYlaFR5ArkhOwm3Da1pmxmxCtenj1+6luWD#r#n+EPn9L6Ce+9onqnMlT+i, DOI: 10.3969/j.issn.1009-0479.2018.06.019.